Indiana Jones and the Kingdom of the Crystal Skull Movie Review

BOTTOM LINE: Indiana Jones is back with styleon screen. The action is probably on par with the
with a strong central concept, great characterprevious films, and Spielberg and Co. manage to
moments and entertaining sequences that we'vemake these quite entertaining and at times funny
come to know and love, despite not quite hitting(harkening back to the old Saturday afternoon
all the marks (and in fact missing someserials which these films are based upon). There
completely) that the previous films did.are quite a few references to Indy's age in this
THE GOOD: The single biggest question markfilm, but they're worked in organically and after a
hanging over this new installment in the Indianafew scenes you don't really notice his age as your
Jones series was whether or not Harrison Fordswept up in the story. What works well in this film
could still play the role at his age without anyis that it still has many of the elements that made
mobility assistance; I'm glad to say that he's mostthe previous films so good, so when you walk out
definitely up to it and for much of the runningof the cinema, you feel as if you've watched
time you can believe that no time has passed atanother Indiana Jones film and not some tired
all, save some scenes where they make his agecash in which is a shadow of its former self.
a blatant issue. It's great to see Ford back inTHE BAD: Despite being a good Indy film, there's
action and in a strong, dignified role after a stringsomething missing from this installment. It has the
of woeful and forgettable films ("Hollywoodusual components that made the old films work,
Homicide" any one?). Story-wise, this film has a lotsuch as character, action and a fascinating
going for it, least of all being the Crystal Skull itselfarchaeological object in the Crystal Skull. And it is
and it's tie in with an alien civilisation that helpedan entertaining adventure film with some excellent
teach early humans to build technologies moreaction. However, one of the strongest elements
advanced than they were capable of at the time.of the previous films in the series involved the
Whenever the story moves toward the Skullmysticism surrounding the object that Indy was
itself, there is a certain spookiness about it,chasing and in this film, despite an excellent finale
especially its ability to communicate telepathicallywhere we finally get the power of the skull
with people and is best exemplified in the finaleemerging for all to see, we don't really get a
when it is returned to its altar and combined withsense of the mystical aspect to the story.
the other alien skeletons in a spectacular finale.Spielberg and Co. are too focused on including too
As this object revolves around an alien artifactmany scenes which function as explanations for
there's a visit at the outset from the film to Areawhy this film should exist (ie backstory: what
51 where our main villain played by Cate Blanchetthappened to Indy's father and Marcus Brody,
wants to steal the body recovered from thewhat happened to Indy in the years between this
Roswell crash in 1947; all nice touches. Continuingfilm and the last, poking fun at and/or
the theme from "The Last Crusade" of Indy'sacknowledging Indy's advancing years). As a
family, we're introduced to Indy's son played byresult, not as much emphasis is placed on the
Shia LaBeouf who does an amicable job ofCrystal Skull itself and its power which is a shame
exhibiting his father's traits, and Karen Allenbecause it was perhaps one of the strongest
returns as Marion and it was nice to see theconcepts in all of the movies (definitely better
feisty relationship between Marion and Indy backthan the Grail from "The Last Crusade").